 |
1800
 |
NEO-CLASSICISM
: DAVID Jacques-Louis |
| 1824
|
ROMANTICISM
: GERICAULT |
| 1825
|
THE
HUDSON RIVER SCHOOL : the
first American school of painting; landscape painters:
COLE, CHURCH, BIERSTADT, MORAN |
| 1834
|
ORIENTALISM
: DELACROIX, DINET, ROCHEGROSSE,
ERNST Rudolph |
| 1849
|
THE
BARBIZON SCHOOL : MILLET, DIAZ,
ROUSSEAU, TROYON
THE PRERAPHAËLITES
: BURNE-JONES, ROSSETTI, HUNT |
| 1855
|
REALISM
: Gustave COURBET,
the master of Ornans
THE MACCHIAIOLI : (from
'machia', mark in Italian) :
SIGNORINI, FATTORI, LEGA |
| 1863
|
THE
REFUSED : (from
the official exhibition) many of them will become impressionists. |
| 1874
|
THE IMPRESSIONISTS :
Exhibited by Nadar.
Louis
Leroy creates the word in irony in front of Monet's painting:
"Impressions at sunrise".
RENOIR, MONET, SISLEY, MANET, DEGAS , MORISOT, BAZILLE
BOUDIN, CAILLEBOTTE, CASSATT, CEZANNE, PISSARO |
| 1884
|
THE
GROUP OF TWENTY : founded
at Brussels. An anti-academic group made up of many impressionists.
|
| 1885
|
SYMBOLISM
: LEVY-DHURMER, KNOPF,
ROPS |
| 1886
|
NEO-IMPRESSIONISM
: division of tones by pointillist
strokes: SEURAT |
| 1888
|
PONT-AVEN
SCHOOL : GAUGUIN, Emile
BERNARD, SERUSIER |
| 1889
|
THE
NABIS : they exhibit at the
café Volpini: BONNARD, VUILLARD, Maurice DENIS,
GAUGUIN |
| 1895
|
FIRST
INTERNATIONAL ART EXHIBITION AT VENICE |
1897
1903 |
VIENNESE
SECESSION : KLIMT, OLBRICHT |
| 1899
|
THE
FAUVIST SCHOOL : in 1905
at the autumn Exhibition, the critic Louis Vauxcelles cried
out : "The big cats (fauves) have been set loose!"
when he saw paintings by: MATISSE, DERAIN, VLAMINCK, VAN
DONGEN , MANGUIN, MARQUET, CAMOIN, FRIESZ, VALTAT |
| 1903
|
THE
AUTUMN EXHIBITION FINALLY HONOURS CEZANNE |
| 1907
|
CUBISM
: PICASSO and "The
young ladies of Avignon". PICABIA (creates the
first cubist work), GRIS, BRAQUE, DUCHAMP, MARCOUSSIS,
LHOTE, LEGER |
| 1908
|
THE
SCHOOL OF THE DUSTBIN :
(THE SCHOOL OF EIGHT) including LUKS, SLOAN |
| 1909
|
THE
FUTURISM MANIFESTO :
a movement created with the pen of the critic and poet
Marinetti : SEVERINI, CARRA, BALLA, BOCCIONI , RUSSOLO
THE RUSSIAN BALLETS created
by Serge DIAGHILEV and M. FOLKINE |
| 1910
|
ANALYTICAL
CUBISM : PICASSO, BRAQUE |
| 1911
|
THE
GOLD SECTION : (or Puteaux
Group) is a collateral of cubism : VILLON, METZINGER, GLEIZES
THE BLUE KNIGHT : German
expressionism : KANDINSKY Franz MARC |
| 1912
|
ORPHISM
: (the name comes from Apollinaire)
: Robert et Sonia DELAUNAY, KUPKA |
| 1913
|
THE
ARMORY SHOW : A capital exhibition
in the USA. Discovery of modern European art.
SYNTHETIC CUBISM : PICASSO
and BRAQUE the very essence of the object.
RAYISM : Opening to abstraction
by coloured rays, created in Moscow by Michel LARIONOV
and Nathalia GONTCHAROVA
VORTICISM : English movement
created by LEWIS BRABANÇON, WOUTERS |
| 1915
|
DADAISM
: PICABIA ,DUCHAMP, JANCO,
ERNST.ARP. |
| 1916
|
SUPREMATISM
: MALEVITCH (square,
circle, cross) |
| 1919
|
BAUHAUS
: KLEE, KANDINSKY |
| 1922
|
NOVECENTO
: nationalist art : SIRONI,
OPPI |
| 1924
|
THE
SURREALIST MANIFESTO : created
by the poet BRETON and ARAGON : DALI, MAGRITTE, DELVAUX |
| 1931
|
ABSTRACTION-CREATION
: HERBIN, VALMIER, GLEIZES |
| 1947
|
LYRICAL
ABSTRACTION : MATHIEU,
HARTUNG, WOLS.
ACTION PAINTING : POLLOCK
(drippings), DE KOONING, ROTHKO |
| 1948
|
RAW
ART : Jean DUBUFFET, G.CHAISSAC
MISERABILISM : BUFFET,
GRUBER.
COBRA (COpenhagen, BRussels, Amsterdam): CORNEILLE,
APPEL |
| 1954
|
TACHISME
: Sam FRANCIS |
| 1955
|
POP'ART
: Jaspers JOHNS, Larry
RIVERS, HOCKNEY
KINETIC ART : VASARELY,
AGAM |
| 1958
|
THE
HAPPENING : Jim DINE,
OLDENBURG |
| 1960
|
NEW
REALISM : KLEIN, ARMAN,
TINGUELY, SPOERRI
OP'ART : AGAM, CRUZ-DIEZ,
NOLAND
CLOUDISM : MESSAGIER,
BENRATH |
| 1961
|
MEC'ART
: (mechanical art by serigraphy)
WARHOL, RAUSCHENBERG, JACQUET, ROTELLA |
| 1962
|
FLUXUS
: BEUYS, NAM Jun PAIK |
| 1964
|
NARRATIVE
FIGURATION : ARROYO, RANCILLAC |
| 1965
|
MINIMAL
ART : Frank STELLA
THE OBJECTORS : RAYNAUD,
KUDO |
| 1966
|
ART
LANGUAGE : BALDWIN |
| 1968
|
HYPERREALISM
: CLOSE, Don EDDY |
| 1969
|
SUPPORT-SURFACE
: VIALLAT, CANE, VALENSI |
| 1975
|
NEO-EXPRESSIONISM
: BASELITZ |
| 1977
|
OPENING OF THE POMPIDOU CENTRE |
| 1979
|
TRANS-AVANT-GARDE :
(both figurative and abstract)
DE MARIA, PALADINO, CHIA. |
|
|
 |
